Tuesday, 1 June 2021

Basic tools for a setter!

Gemz Diamond Setting Thornhill, Ontario, Canada.
Diamond Setter, Teacher & Blog-Author!
Gerry, the Cyber-Setter!
This is a reprint from an article that I wrote, words have changed, but the techniques are still the same!   
(This article was published many years ago in a trade magazine. After finding it (again),
I altered much of the wording and added a few more mini-topics just to make it easy for you to read.)
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 This diamond setter reconditions many of the worn-down burs by using a separating disk to sharpen each of the "High-Speed Steel" burs' teeth. To avoid mixing the different styles of burs, I keep them separated in many little pads as shown further in this essay! 

My primary interest in diamond setting is that of “Cut & Bead" Setting, "Gypsy/Flush Setting" & "Princess Stone Setting". I avoid the 'mass production' of  four claw settings, as that's not my preference. Specific burs of interest are now described below.

These modified 1/2 burs, that you now see below, will be seen in another essay on "Cabochon Stone Setting". One thing you should need to remember, is to keep the exposed teeth sharp for cutting metal.

 1. Burs in wooden boxes. I keep my high-speed steel burs against the back of my bench in four boxes. They are arranged by size at all times! I have no intention (time wasted) to keep looking for a bur that is not in its own receptacle.
My favourite bur for the diamond setting is the 90° “High-Speed Steel” bur, aka “H.S.S.” bur. This mirrors the shape of any diamond, it's great for cutting Pavillion seats in claws, (or prongs). It also takes the place of a file when preparing for the actual 'resting place' for the diamond. You simply use the lower section of this bur as a ‘mini file’ while preparing for the bearing and “Pavilion Facets” of the stone.

As some of these larger HSS burs can be rather expensive, from almost $5.00 to $20.00  for the 5mm bur. I make every effort in keeping these sharp at all times. The following pictures show just how easy it is to re-sharpen them.
You can't re-sharpen the Carbide, Under-Cutting bur, named "156C"!


2. "
How to Re-Sharpen a HSS bur", this might have been repeated in another essay.  Since we're on the subject of "basic burs", why not mention this again!

When I see that the HSS bur is not cutting anymore, or it's just sliding along the metal, we need just one implement. I use a separating-disc I use this to re-cut the teeth. 

Which of the teeth would I need to save? I paint the whole bur in a coloured ink just distinguish one tooth to the other.

When I touch the bur with my disc, I can see which tooth has been cleaned. Please be very careful on this cutting process, you must keep the teeth perfectly sharp.

You don't really need to recut the long bur, it's just the end of the bur is cutting into the metal, nothin else more!


You have no need to put your bur into any clamp, I just hold this bur in my fingers!

After close (10x power loupe) examination, you can see how sharp those worn down teeth are now looking!


3) "How to reshape a 1/2 Round bur, only used for Cabochon drilling"

 I do this by removing half of the bur, this is the perfect tool for Cabochon forming, for the inside of a Bezel. This re-shaping process can be done on your own 'bench grinder'. 



                          This is how I re-shape the round bur against my bench-grinder. 
Always keep the rotating-bur cool in a small beaker of water. If it gets hot, the steel will get 
soft and it won't be good for any prolonged metal cutting.



Now you can see these sharp edges of the round bur being made ready for metal cutting. These teeth must be made ready at all times! Once you get the idea of what you have to do, then it will become much easy to prepare!


 You can see these little sparks of metal being removed..(this was difficult to show, while I was holding the bur in my fingers, as well as holding my iPhone)!



4. Burs in plastic, pin holders. The burs on the front of my bench are separated by style. I keep all BUD burs in ascending order of size in one pin tray, all "77B" (Cup burs) in another. The very large burs that I don't use daily are set aside. Plus all my large, worn down burs are kept separate and away from my 'arms reach'.
 

4. Wheels and discs. I keep all of my #180 and #1,000 grit Pumice wheels of Flat Face and Tapered designs along with the "Emery, Snap-On" discs with a “Medium” grit in their own separate tray.




5. Gemstone holders. When I saw these "rubber, table-leg, protectors" in the local hardware store, I knew they'd make the perfect gemstone holders. I (glued) some of them to my bench-top, so I can separate stones by size, gluing them prevents any movement and spillage.

On the two square pads, I cut away the front-lip so I can see the stones inside making it easier to see while sitting down.
 
6. Lubricating Oil. I keep my ‘bur oil’ in an old discarded fuse (with the brass inserts removed) between my gemstone holding pads. Instead of using “Oil of Wintergreen”, which can be an extreme painful irritant to the very sensitive skin around the eyes.

 I use any kind of machine oil with a "Light, Viscosity" for example; “3 in1" oil is the name that is often found in any hardware store, you can as well use regular 'motor oil'.

 7. "Bench pin". I dig a recess in my bench pin for holding diamonds during a setting project. Also, I keep my bench pin oiled. This dulls the wood so it's less likely to reflect fluorescent light into your eyes as you work.  It also looks much cleaner!  
8. Files. To quickly locate the correct file for the job, I number my files with indelible ink. The large pillar files are numbered by grit size, and the triangular files are labelled with small lines; one line indicates a #1 cut, two lines indicate a #2 cut!


9. Hand-piece. I prefer my Micro-Motor, hand-piece this is true especially for Bezel
setting and subsequent “post-setting” cleaning, where maneuverability is a 100% must.

 I can easily move the lightweight handle from vertical to horizontal positions during setting.  As they are made in plastic, the handle weighs only 7 ounces.

 10. Vulcanized rubber. I use a piece of rubber to clean diamonds after setting. 


11. Pliers. To customize my pliers for a claw/prong setting, I use a Corundum wheel to cut grooves inside the jaws. The claws/prongs nestle in these hand-made grooves, preventing my pliers from slipping off during the setting process.
 

12. Oil stone. I keep my oil-stone close by my side for sharpening gravers.


13. Magnet. I use a "horse-shoe" magnet to run it across the oil-stone. This interesting technique removes any metal particles that can get embedded into the stone during the graver re-sharpening process.

 This cleaning is often done during the diamond setting process. I can do the re-sharpening of the graver, many times a day! 

 

14. Polishing papers. I keep many wooden sticks of Emery & Polishing papers in my bench tray, each is labelled by it's grit number. On the #800 stick, I’ll rub an area with a soft leaded pencil.

The graphite pencil fills in the small granules in the paper and transforms that #800 paper into #1,000 paper for finer graver polishing. This is used primarily for Bright-Cutting.

Here is an example of what happens when the graphite is used in a #400 paper and then it's turned into a #600 paper. 

Now the manufactures are using #400, #600 and up to #1,200 paper.
(Many years ago they used numbers as #4/0 and #6/0.)


 

15. "Antique, Pump drill". FYI, this 'Pump-Drill' dates back to the Pre "Flex-Shaft" days. It was used in the 1930s and '40s to drill holes by using an "up & down" pumping action with the 'fly-wheel'.

16) Antiques: "Seed-Pearl, drills".

 You might not be needing these anymore, but 2-3 decades ago these were the most sought-after burs at our benches. Not any more as designs have changed, pity!

      

  In conclusion, I feel it is necessary to explore different Diamond Setting bench layouts. I'm now going to show how my present Diamond Setting bench looks today in May 24. 2021.

I was teaching online with a New York city school "92Y", then the Covid-19 pandemic started shortly afterward.

 You can see my laptop sitting on my bench, it's not usual for me to have such an array of equipment, such as a CCTV camera IN MY bench. This is too 'busy' for me, as there were 'too many distractions' for me to concentrate.

For jewellers who have a vast array of machinery, diamond-setters need only the bare essentials to create such wonderful setting patterns.


  Hoping you all find my "bench accessories", helpful to you, as well as interesting! 
    If you need other topics to be discussed, in great detail, please email me directly at gerrylewy18@gmail.com